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Gems amongst the once discarded, with Marie & Anja from Basis Rho

Old to new | Finding gems amongst the once discarded, with Marie & Anja from Basis Rho

Like colourful suns, fragments of glass float within a galaxy of stones, the flames from their molten creation now trapped within their solid bodies. They seem to glow, like a soft murmur, or memory of their making. Stark and striking they are frozen within their solid frames. Each piece–a once discarded remnant of cathedral windows or famous work of art–is once again celebrated, elevated through a sensitive process of three-dimensional painting.

When I first stumbled across artist duo Anja Langer and Marie Jeschke, their latest collaboration, Basis Rho instantly spoke to me. Fierce in its beauty and feminist in its defiance–their work is a strikingly bold celebration of glass and I knew at once that I wanted to meet them. One week later, as luck would have it, their publicist invited me to their exhibition opening at Direktorenhaus. It seemed like just a matter of time for our paths to cross, and I fell in love with them both as much as I did with their work.  

Their pieces are really a story of materiality; artworks that boldly blur the line between art and functionality. Objects that, beyond their function, tell stories of time, of raw material, processes, and childhood play and exploration. They are at the same time a celebration of- and a commentary on their own materiality, as well as a refreshing provocation of a narrow-minded and antiquated art-world.  

In celebration of Basis Rho’s latest pieces, Anja, Marie and myself, ventured out to Rädel, to capture the work against the backdrop of a beautifully restored farm house that inspired and informed their current stylistic approach. I loved the concept and wonderful juxtaposition of this vintage time-capsule and the post-modern pieces of Basis Rho.  

Telling a story of its own history, the home is like a museum of itself–a slice of time, artfully restored with respect and sensitivity to its former days. The huge open plan second story, with its time-worn timber frames, now serves as part office, part gallery, with beautiful antique and contemporary pieces on display throughout the space. 

As we moved throughout the house, Marie and Anja shared with me details of the restoration of the historic dwelling and how the interior details inspired their own work, before we delved into their creative process and obsession with glass.

Few materials are quite as complex and dualistic as glass. A translucent solid, it is extremely strong, yet utterly fragile. A broken, jagged edge of an invitingly smooth pane can be life-threatening. The medium itself seems to blur the boundaries of its own material qualities. How did you come to work with glass? What lead you to explore the possibilities of this material and how has it influenced your approach, process and outcomes?

“We are thrilled that you immediately mention the beguiling ambivalences of the material glass. We came across the material in 2016, through an instinctive choice. At that time we had created hybrid glass works of art for an exhibition, which were office furniture, object and painting at the same time.  After working on the first series, we could not get away from this material, because of its versatility, its presence and above all, its omnipresence. From its creation in the old glassworks to the constantly touched glass displays of our smartphones, this material connects so many different realities with each other. For us, it really is the material of the present.”

“When we realized that glass also possesses maximum symbolic power for the topic of transparency, we were once again convinced that we should deal with glass. There are so many blind-spots in our society, so many machinations that have not yet been exposed. In material development alone, many facts about production processes, ingredients, techniques, employees, etc. remain hidden. It is time to show ourselves; it’s the only way we as a society can once again act in solidarity with- and learn from each other.”

Similar to your medium, you both you are now also blurring the boundaries between art and functional design. What has been your biggest challenge and your greatest achievement throughout this process and Basis Rho journey?

“For us, it was incredibly exciting as visual artists to develop a fully functional artistic material from the remnants of other artists and architects. When we first introduced Basis Rho to the public earlier this year, it was a really exciting moment for us. The launch took place at the Surface Design Show in London–a trade fair for high quality architectural surface materials.” 

“How do we remain visible as artists now that we are also material suppliers? These were very important questions back then. These existential questions have sharpened our view of an inclusive future society even more. Why should we choose when we can have all these identities at the same time. Back then, that was already a really important insight for us. A few days ago, we received the news that Basis Rho has been awarded the Material Prize 2020–something we did not at all expect.”

I would imagine that as an artists, building up a name and an identity around one’s work is quite a complex process. How does that change when your work becomes collaborative, as in your duality, as well as the collaboration between the producers of your Basis Rho products? Can you tell me a little more about your concept of ‘shared authorship aesthetics’

“The experiences we had as a duo in 2016 and 2017 were very special. Our individual working practices (Anja painter / Marie mixed media artist) dissolved in the common work. We could no longer understand who had made which decision. Everything merged and took on its own identity. At first, we were so astonished by what we had developed together that it almost seemed strange to us. This thought: ‘this work of art is not by us at all!, fascinated us very much. We learned how wonderfully liberating and sustainable this way of working is. We quickly involved other people in the process. These were other artists, dancers, performers, scientists, filmmakers, chefs, etc. The important thing was that the two of us didn’t give any clear vision of the final result, it was more a kind of guiding the co-working. Everyone got involved in their own way and all the individual parts blurred into a big whole.”

“We call this big whole; the sum of all parts involved in the creation of a thought/object/action, new models of shared authorship aesthetics.”

“Shared authorships are nothing new, but how to make them visible, how to depict them; we see this as an important field of research. Basis Rho involves so many other authors, too. That fascinates us.”

As a child I used to be captivated by marbles. I could stare at it for hours, turning it over and over, transfixed, it transported me into worlds of make belief and magic. I look at your surfaces and it stirs up that same enchantment. Does it have a similar effect on you? Where does the allure of your pieces take you?

“We haven’t thought about these glass marbles for ages. The comparison is really apt–especially because they connect the played reality and the seemingly adult, rational reality. When we discovered the tons of glass in the first glassworks, we felt the same way. We were so fascinated by them that we took them with us and experimented with them in the studio. They were like gemstones–pieces from another world. We thought of mythical creatures and future organisms that produce or break down these magical glass stones. For us, the view into the Basis Rho surface is similar to the Rabbit Hole in Alice in Wonderland. This immersion blurs the line between reality and fiction.”

Old renovated farm house

What inspired you to make AKNTA, the beautiful timepieces available as your collectibles?

“In no other year has the man-made calculation of time been so relative as in this one. Suddenly, millions of clock hands worldwide are somehow rotating more slowly or distorted. It is–as if out of the blue–a very own time calculation had begun. The demand for the empowerment to regain one’s own time or sense of time, led us to make a clock.”

“The AKNTA is more than just a timepiece, it is a symbol for the omnipresent fragility of people and the world. Each AKNTA is a unique specimen.”

“For the shape of our clock, we have been researching for a long time. Originally, we wanted to give this 2020-symbol a much smoother contour line. But somehow this form did not reflect what we felt about the present situation. Basis Rho is made using the old hand-casting method, and we have always cast rectangular floor and wall slabs and tiles. At some point we made the decision to smash some of our slabs; to deconstruct them. We studied the shards for a long time and chose a shard-form that could stand on its own or be hung on the wall.” 

Since its fairly recent inception, Basis Rho has already received numerous accolades and commendations. What are your future goals? Where can we expect to see you go next?

“Until now, we have realized single requests such as the production of tables or objects from Basis Rho and have made many collectors happy in their private homes. The next step, and thus our goal for 2021, would be to be able to design a complete interior, i.e. walls, floor, and the interior design from Basis Rho in a public place. That could be a museum, a foyer, a bar etc. and we would love to have it in our home town Berlin.”

“In January will be contributing to a seminar at an art academy in Shanghai on the topic of self-marketing as an artist and have already started planning a research project with the Bundesanstalt für Materialforschung (BAM) where we will conduct interdisciplinary research on new, sustainably produced additives as an alternative to cement. In addition, we are currently working with a London curator on an exhibition to be displayed in a gallery for contemporary art in Munich in spring 2021. The exhibition will focus on the theme of rest and memory. “

Follow their work on Instagram or purchase their pieces on basisrho.com

Text & Photography ©  Barbara Cilliers

Waking up among the trees in Basel

Waking up among the trees in Basel

Promotion piece courtesy of Jugendherberge Basel

A hostel would never be the first option I reach for on an out-of-town photography assignment. But then, the Jugendherberge I came across in Basel is not quite your run-of-the-mill hostel. I discovered it while searching for sustainable accommodation options during a trip to the historic city. The clean lines and near brutalist aesthetic of the Swiss Youth Hostel caught my eye, and I was keen to give it a try.  

Basel youth hostel. Photographed by Barbara Cilliers for SoonafternoonBasel youth hostel. Photographed by Barbara Cilliers for SoonafternoonBasel youth hostel. Photographed by Barbara Cilliers for Soonafternoon

Tucked away between the trees on the Southern banks of the Rhine, the hostel gives you the impression that it’s somewhere deep inside a forest, even though it’s but a 20min walk from Basel central station. A bridge across the crystal water of the St. Alban’s waterway welcomes you to the entrance. With an open lamella hugging the older stone structure that leads into the modern one, the bare oak beams add a pastoral quality in their mimicry of the neighbouring woods. 

Sustainable accommodation in Basel
Bedroom viewHotel Story

The architecture is a beautiful mix of modern and old. The original building dates back to a 1850s silk ribbon factory before it was transformed into a hostel during the 80s. The modern-day interpretation was completed by Buchner Bründler Architects in 2010. Paying homage to the buildings industrial past, haptic and natural materials like concrete, wood and stone are used through-out, while the floor to ceiling windows draw the surrounding nature into the space. The interior design story continues this interpretation with an understated yet tasteful choice of furnishings. 

With their laid back and warm approach, the welcoming personnel made me feel at home in an instant. The place has that easy going, come-as-you-are openness that one can expect from a hostel. Yet the private rooms with their on-suite bathrooms and open balconies, bestowed that sense of luxury a hotel room should offer–with all the comforts you would expect (minus a kettle and TV–details I did not miss). Even the shared- and family rooms maintain the impression of good taste; simple yet comfortable and impeccably clean.  

Swiss Youth Hostels

The hostel has an HI-Q and a platinum Ibex Fairstay certification which means they are committed to high standards and positive impacts. The accreditation is based on criteria demonstrating effective sustainable management of resources, maximizing social and economic benefits for the local community, cultural heritage and environment as well as the preservation of biodiversity, ecosystems and surrounding landscapes. Some examples include low-maintenance and natural building materials, resource saving and mindful housekeeping routines and products as well as the use of locally sourced produce.

Judging by the amount of toddlers running around at breakfast time, the hostel is quite popular amongst families. I enjoyed my breakfast and dinner in the dappled sunlight of the outside terrace, watching birds bounce from tree to branch with the soft roar of the water tumbling over rocks in the distance. I would certainly choose to stay here again should a future adventure bring me to Basel.

A special thanks to the house manager and team of Jugendherberge in Basel for their efforts in making my stay truly memorable.

youthhostel.ch | basel@youthhostel.ch | Tel: +41 61 272 05 72 | Jugendherberge Basel, St. Alban-Kirchrain 10, 4052 Basel, Schweiz
Text & Photography ©  Barbara Cilliers

The minimal jungle of horticure founder Deborah Choi

The minimal jungle of horticure founder, Deborah Choi

The home of horticure founder Deborah Choi, is a tranquil space bathed in sunlight, with plants reaching all the way to the ceiling. Earlier this year I had the absolute pleasure to pay a visit to the home she calls her minimal jungle. It was a joyous morning filled with stories of plants and travels, of finding a home in foreign places and of creating value for others. Here’s a peak into all that transpired on that beautiful morning in August.

Tell us about horticure and the idea behind it.

“horticure is a consumer platform for plant care, connecting you with the knowledge, services and products that keep your houseplants happy and your indoor spaces green.”

 
02 Soonafternoon Interior Photography Details03 Soonafternoon Interior Design Photography
 

Where did the idea for horticure originate and how did you go about shaping it into a business?

“I got the idea for horticure after years of bad luck with my own houseplants, and having gone through the hassle numerous times, to find the plants I want locally and get them into my flat. I wanted convenience, I wanted access to expertise, and I realized there was an opportunity to create that for myself and others.”

 

Tell us a little about Deborah.

“I was born in Nigeria, though grew up in America as my parents immigrated to the US for better education and economic opportunities when I was three years old. Although I didn’t grow up there, I consider New York City to be home; I moved there a few years after university and it was this city that really formed me as an adult and also as a professional. I now have lived in Europe for a little over 4 years, and in Berlin for 3. But that’s just the geographic stuff! 🙂 Professionally, I’ve been an entrepreneur and business owner for the majority of my career: in this way, I’ve learned a lot of what I know about recruiting, branding, marketing, partnerships, tech and sales by doing (as I studied political theory at uni). Horticure is my 4th business, after first launching a fashion e-commerce brand, a media company and an innovation agency for venture-backed startups.”

 

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What are the values you bring to your business and professional practice?

“I’ve had the privilege to work as a consultant to improve the ideas and strategies of others, within corporate environments as a marketer, within media as a strategist, and also as a founder going from “0 to 1” a few times. These diverse experiences help me understand and know how to work with the influences, stakeholders and ecosystem around my newest venture much better than I could have, even 5 years ago. I view experiences as cumulative, and seek the ways to weave in what I’ve learned in the past, into today.”

 

What are your ultimate long term goals for horticure?

“We envision and aspire to a world filled with healthier, greener indoor spaces. For us this means thinking flexibly about the channels in which we deliver knowledge, services and products. For now, it’s via in-home services, video consultations and messaging. In the future, it could be via AI integrations, voice assistants, etc.”

 

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What are some of the biggest setbacks or challenges you face?

“We’re a marketplace business, which means we have to manage the growth of the supply (i.e. our horticulturists and plant suppliers) vs. the growth of demand (i.e. plant owners and plant shoppers). Generally speaking, managing “liquidity”, or having just the right amount of supply and demand is hard, and it’s hardest at the beginning, which is where we are!”

 

Are there any other brands, or companies who inspire you or where you draw inspiration from?

“I am really inspired by the service platforms that have nailed the user experience, and deliver a feeling of ‘ultra convenience’ for their users. I love using apps like Uber and Deliveroo for this reason: the experiences provide very little friction for me, simplify my decision-making and save my valuable time.”

 
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What does sustainability mean to you as a business founder and what would you say are the biggest challenges business owners are facing with regard to the topic?

“For our users, we focus on keeping their houseplants happy and alive, so they can feel good at home and draw more of the well-being effects from having greenery indoors. The alternative–buying plants, killing them, repeating that–is wasteful. Nearly a billion euros is wasted each year in the UK in this exact process by people and companies.”

 

If you could  give yourself advice in your twenties – what would it be?

“Take the risk: failure often isn’t failure, but regret is real.”

 

What brought you to Berlin, and what keeps you here?

“In a way, family brought me here. I first moved to Zurich, Switzerland four years ago from NYC, and I gave birth to my daughter there (her father is Swiss). But I knew I couldn’t be a happy me there, and also that staying in Europe would be important for my daughter to grow up with both her mother and father. My daughter keeps me here, but now three years in… there are exciting, other roots that root me here too: friends who are family, a nice quality of life, and now also this business venture.”

 

Soonafternoon Interior Photography

Soonafternoon Interior PhotographySoonafternoon Interior Photography
 

How would you describe your home, what influences your style and where do you draw inspiration from?

“I like to call my home style “minimal jungle”. Form and function, only having what I need, these ideas go into the furniture choices I’ve made. But I’ve also been very inspired to bring a lot of greenery indoors, as well as unique pieces from my travels to Marrakech, one of my favorite cities in the world. You’ll find a lot of natural materials in my home: bamboo, rattan, jute, cotton.”

 

Do you have a favourite piece of furniture or artefact? Tell us the story behind it. 

“It’s always something with a story. Maybe the first that comes to mind is the new Berber rug in my flat, which I got the last time I was in Marrakech over the summer. I and the shop owner spent several hours bargaining; jotting down a number and pushing it back and forth across the table, over several cups of tea. At the end we shook hands, even snapped a photo together. Some find that process of buying in a market like the souqs as stressful. For me, it’s incredibly fun!”

 

Soonafternoon Interior Design Details

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There seems to be a rising trend of indoor plants and people filling their homes with plants. What do you think motivates people to bring greenery into their homes?

“We spend such a small amount of our time outdoors and in nature, less than 10%. Plants reconnect us, and can create a sense of well-being in any room with even one.”

 

Your number one tip plant-care tip for someone whose thumbs aren’t particularly green.

“Get watering right, and you can kind of ignore everything else… Over- and under-watering your plants is what leads into the bigger problems that then require more of your time, like pest control.”

 

Soonafternoon Interior Design Details

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Text & Photography ©  Barbara Cilliers

Interview with Blossom flower stylist, Maria Jivung

Maria Jivung, on staying true to your artistic values and the importance of nature on our wellbing

I first discovered Blossom when they had a small little flower boutique a short walk up my street in Prenzlauerberg. When I looked in to see how they were doing I discovered that their store had moved entirely online. Fortunately the team invited me for a visit at their home studio; a breathtaking Altbau in Wilmersdorf. I spent the morning with their flower stylist Maria Jivung, chatting about the poetry of flowers, the value of nature and following your creative gut.

Bedroom with dried flowersBedroom with dried flowersBedroom with dried flowers

Hey Maria. Tell us, how did you get into flower styling and working with Blossom?

“I’ve always been into flowers as long as I can remember. When I was only a few years old I went out in the garden making tiny bouquets. My mom used to read out loud from a flower dictionary, so I learned a lot in early years. I also got into fashion and was working in that field for many years. The last semester of my studies I got a strong desire to work with something creative and my interest for flowers just grew so when I moved to Berlin in summer 2018 I decided to give my passion a chance. After two weeks in Berlin I got a text from my best friend, she found an add on Facebook. Blossom by Hausklinik were looking for staff members and I remember my heart was beating super fast. I started to sweat that’s how excited I got! I wrote them and that was the start of something new. Not only did I find a company that resonated with me in so many ways, I also found my Berlin family. I will always be grateful for this”

Bedroom with dried flowersDried flower wreath

Why do you prefer to work with dried flowers?

“First of all dried flowers are more sustainable than fresh. I’ve had days when I felt stressed or sad because we had to throw flowers away. That’s how it all started. Instead of throwing them we tried to dry them. All of a sudden we had a very small dried flower section and people were super into it! To be able to make something that people can enjoy for many years is great. Our products, whether it’s a bouquet or a wreath, become a part of someone’s home, shop or office, and I love that it can be more than just flowers, it’s home decoration and you can always choose colors that compliment your home. My place used to be filled with plants, these days I have more dried flowers arrangements, I really like the vibe they create, it’s calmer and more sophisticated. “

Mia Jivung with her dried flower creations
Blossom dried flower studio in BerlinBlossom dried flower studio in BerlinBlossom dried flower studio in Berlin

You showed me some older vintage vases. Is this part of your sustainable approach as well? Tell me more about that. 

“That’s exactly right. Sustainability have always been a big part of Blossoms core values from choosing growers and products to CO2 neutral delivery. And like I mentioned before we always try to have as little waste as possible. Many flowers business throw up to 40% of their fresh flowers away. For me that’s just insane. Flower business needs to step up and take more responsibility and try new ways to be more sustainable. Since we did the rebranding we started to take even more actions. Now we have a small vintage collection and most of the products are bought second hand and made in Sweden. These days I have almost zero waste when it comes to flowers. When I make bouquets there’s always a few flower heads coming off, these are perfect for wreaths. When I make wreaths I pick up the small petals and we are now making dried flower confetti. Perfect to use as table decoration or at weddings.” 

Mia Jivung with her dried flower creationsMia Jivung with her dried flower creations

Do you think your Scandinavian background influences your aesthetic? Why do you think Scandinavia has such a strong faculty for aesthetics & design?

“100%! And getting older I realize more and more how important it is for me to stay connected to my roots. I would say that it’s the Scandinavian nature that influences me most, the wild and sometimes almost untouched nature and the contrast between the different seasons. It can be everything from color-combos to different kind of forms or textures. I definitely prefer natural elements/material in design in general whether it is a vase, sweater or a table.”

“Nature in general plays huge part for my creativity. When I’ve worked a lot, I need to escape to a forest or the ocean. After a few days I return to the city with a clear head and new ideas. Scandinavian design is famous for its minimalistic and clean design. We use a lot of natural materials and it’s quite timeless but most of all functional. It’s interesting that we in one way should thank Germany for that. The Swedish functionalism got attention at the Stockholm Exhibition in 1930, where a lot of ideas were influenced from the Bauhaus (German art school).”

Blossom dried flower studio in BerlinBlossom dried flower studio in Berlin
Blossom dried flower studio in Berlin

You seem to have the perfect job; you can work with flowers, be creative and make a living from it. Are there any downsides to your work? 

“Honestly this was the hardest question. I do really love my job and I’m so grateful to be able to work with something that gives me so much joy. Blossom was founded only two years ago and I was hired shortly after the opening and we literally worked our butts off. Working for a small start-up is so much fun but also draining. What has also been a challenge is to establish something different in the Berlin flower scene. People here are used to low prices in general and explaining why we have different pricing is sometimes exhausting.”

“I find that many people care about the environment; they buy organic food and clothing but when it comes to flowers it’s a different story.”

“Sometimes I think I could be bit harsh explaining to customers why a flower cost this or that. But I think is’s important to inform people what’s behind everything, to get an idea of the entire chain; from the farmer to wholesale to florist.”

Blossom dried flower studio in BerlinBlossom dried flower studio in BerlinBlossom dried flower studio in Berlin
Mia Jivung f

I’ve had many conversations lately around the topic of art versus commercial activity. How would you say the commercial aspect influences your work or artistic practice?

“I think it’s so important to stay true to your artistic values and creativity, but it’s not always easy, especially when it’s a start-up and every cent is counted. But you can’t do everything or please every one. We’ve had a lot of requests that we had to turn down because it was simply not our style but it’s important to have an open mind and stay positive to new ideas, especially when you have your business in a foreign country. For example, we had no idea what an Adventskranz was, we don’t celebrate 1:st advent in the same way in Sweden, so here we had to adjust and give it our own twist. Last year we did a few wreaths that were all made of dried flowers. People spend a lot of money each year so why not get one that you can keep for years!”

Blossom dried flower studio in BerlinBlossom dried flower studio in BerlinBlossom dried flower studio in Berlin

Why do you think so many people resonate with the concept of dried flowers these days?

“First of all people are so into it because it became a trend. Simple as that, exactly like it did in the 60-70´s. When I walk around in our summer house I see dried flower arrangements that my grandmother made in the 60´s. How cool is that!? Secondly I think people like it because it’s long-lasting and therefore more sustainable. Now during the pandemic we haven’t been able to go outside as much or visit relatives or friends, so I think it’s been a great way to still have flowers on the table or send someone a nice bouquet.”

Kitchen with dried flowersBlack and gold kitchenBlack and gold kitchen

For me – flowers are like nature’s poems. Little gifts from mother earth. Beautiful and transitory. What role do you think nature plays in our lives? 

“We underestimate what a big impact nature has on our wellbeing. I always say that nature is the best medicine, and I’m totally into the Japanese Shinrin Yoku, wich means “Forest Bathing” or “Forest Healing”. I believe that by living in big cities our senses are cut off. The air is polluted, it’s noisy and crowded and usually people are in a stressed headspace. For me it’s truly hard to stay healthy and positive and I try to escape the city at least once a month. I feel like the western/urban way of living has gone in the wrong direction. We have become so disconnected to what is real and really important.”

Blossom dried flower studio in BerlinBlossom dried flower studio in Berlin

Do you have a philosophical approach when it comes to your work and how you choose to spend your time?

“It might sound corny, but we have one life so make sure you get most out of it and try not to be influenced too much by other’s opinions or society’s square box. Follow your heart and gut.”

“I remember working on an event 1,5 years ago, I was talking to a woman, and she told me that she always dreamed of working with flowers but then decided to “get a real job”. I could take this as an insult but I actually felt happy that I had the gut to follow mine.”

It’s never too late to do something new. I think that’s one of the perks of living today; you can choose to spend your time on many different things.”

Interview with Mia Jivung

Where do you like to go, to escape into nature and to “tune” out?

“My number 1 spot on this earth is Öland. An island located on the east coast of south Sweden. It’s truly magical. My family moved there from the mainland, and we also have an old wooden summer house from the 60s in the Northern part of the island. It’s always special going there, it’s like you can breath again and it smells like flowers, herbs and ocean. It has a different flora so you will find flowers that you can’t find on the mainland. It has the perfect mix of green forests, open lands and sandy beaches. One day I will live there.”

Mia Jivung with her dried flower bouquetMia Jivung with her dried flower creations

Who do you look to for inspiration? People, ideas, platforms? Anything that makes you feel energized about the world and a better positive future. 

“I get inspired by friends and people around me. By someone who’s doing what he/she loves or someone that’s kind to others and has the gut to stand up for other people. I also get inspired by former times. The way people dressed and lived their lives. Growing their own veggies, making butter and bread, sewing and knitting their clothes. I got so exited seeing people getting into all this during lockdown. I really hope ”DIY” is here to stay. Humans are creative beings and it’s good for our mental health to create things. I just started to sew clothes out of old table clothes and I love it!!”

Blossom dried flower studio in Berlin

Tell me a little about the online shop Blossom recently launched? How can my readers support you?

“We sadly had to close our physical shop because of corona, so we decided to go online until things are more back on track. Being closed for a few months we had time to think about the future and what direction we want to go. We are now focusing on dried flowers mainly. We have a better capacity to take personal custom orders and I really like having a closer connection to our customers. This can be super inspiring because I do things that I wouldn’t have been thinking of. At the moment we only deliver within Berlin but our goal is to expand to Germany. Getting the support from people is more important than ever, and we are so happy to have so many regular customers. In these times it’s so important to support your small local businesses.”

Text & Photography ©  Barbara Cilliers

Leit & Held

The founders rethinking raw materials in their design of beautiful leather goods

A couple of weeks ago I spent a chilly Sunday afternoon with Dana Mikoleit and Pia Held, two of the three founders behind the inspiring brand LEIT & HELD. We met at Dana’s beautiful home in Friedrichshain–her living room serving as the studio where the very first pieces were born. Dana, pushing pedal to metal on her Durkopp Adler 267, expertly crafted new prototypes, while I quizzed Pia on some of their business fundamentals. Nina Conrad, who lives in Zurich, could not join for the day, but nonetheless shared her valuable insights into their efforts of making leather goods more sustainable. It’s one of those interviews, that really makes you buzz with excited inspiration.   

Architect's kitchenHallway
Architect's kitchen

What inspired your idea for the business and why did you decide to look into the hide production and supply chain as a point of focus?

Pia: “Dana and I started this journey 3,5 years ago where it was mainly about the design and the creative process. Our skills and design aesthetics are very complementary, so we did this as a passion project, just for the joy of working together, exploring the possibilities of materiality.  Within the process, very organically, the question about the origin of the material came up and while we were travelling through Portugal, making partnerships with manufactures and tanneries we realized how non-transparent and dirty the leather business is.”

“After a little crisis we started again, changing the perspective, visiting local organic farms in Germany and did a lot of research on organic agriculture, farming and sustainability. At this time we met our 3rd partner Nina on a Fair Fashion event in Berlin who is an expert in sustainable supply chains. We teamed up with her and worked on the common vision to build up our own supply chain for Leit & Held–from the cows to the final product, all in Germany.”

Nina: “The leather industry has been in disrepute for a very long time. We forget that leather is a by-product of the meat and especially, dairy industry. We have to take a critical look not at leather per se, but at the consumption of meat. As long as we consume meat and dairy products, there is nothing more sensible than to use the skins of these animals. To bring the whole process into harmony with nature, and to make it traceable and transparent is my driving force.”

Dana: “I enjoyed creating beautiful bags. For me the design aspect was the origin. In the course of the process I was motivated by the desire to be able to wear them with a good feeling.”

“Finding the most acceptable material was the biggest challenge. But the more I understood leather as a by-product of the meat and dairy industry, the more I believed that what we are doing makes sense.”

KitchenA beautiful kitchen with wooden detailsA beautiful kitchen with wooden details
A beautiful kitchen with wooden details

How long did it take to make your idea into a product and business? Tell us about the timeline from conception to launch. 

Dana: “I started with the first prototypes in 2015. About a year later I met Pia and together we developed the brand. At that time Pia and I were still looking for happy cows in Portugal. When we met Nina we decided together to build the whole supply chain in Germany.”

Pia: “It was a long and organic process, not very linear. It became more serious when we founded Leit & Held in the beginning of 2019. We celebrated our launch last September at LOK6, so 9 Months after the official start. Like a pregnancy!”

Nina: “I’ve built leather supply chains in other projects and teamed up with Pia and Dana to build one in Germany as well. Due to my know-how, it went much faster than before–but still very long if compared to conventional brands. We take the term ‘slow fashion’ literally.”

Cacti in a windowsillA beautiful scene out of a window

Where are your products made? Was this difficult to coordinate or set up?

Dana: “Our cows live on green pastures near Bodensee in Southern Germany. Not far from there is the slaughterhouse “Fairfleisch”. All animals come from certified farmers, who guarantee an appropriate animal husbandry. Our tannery is only a few kilometres away. The hides are processed into products in Solingen in a small family business. It was a very long process to establish the production in Germany. Since Nina is based in Zurich, she can visit the producers regularly. I go to Solingen and make sure that the production is going well. ”

Pia: “It’s definitely not that easy nowadays to find (good) manufacturers in Germany–as most businesses prefer cheaper and more profitable productions in China etc.”

Nina: “Our entire supply chain is located in Germany. The short distances between the companies and the short distances also to our cities make coordination relatively easy. It was more difficult at the beginning to get an overview of how this whole industry works and also to find partners who are willing to rethink processes.”

An architect's bathroom
An architect's bathroomA furnace with a photo an candle on topCacti in a windowsill

What’s been the hardest or biggest challenges you faced?

Pia: “As this started as a passion project the brand Leit & Held is quite personal for me and became a big part of my life. Growing with it, it was and is hard to learn to think more like a business person, which is very different from just focusing on the creation part. It goes against my nature, to tell people to consume… But I guess its part being an entrepreneur.”

Dana: “It was the endurance that you have to show when building your own brand. To go on for so many years and still keep on doing it has challenged me a lot–as I’m always full of ideas”

Nina: “I find it most difficult to maintain our team spirit due to the great distance.”

A tea canister of a marble table
A boho livingroomTea with the founders of Leit & Held

What has been the most rewarding part of the process so far? Any memorable surprises?

Pia: “The incredible flow with which this project has evolved from day one. I feel like we have always met the right people at the right time.  And all the positive feedback so far for what we do and how we do it. ”

Dana: “The fact that we received the support from Investitionsbank Berlin gave me great motivation. To see that others also believe in the concept has motivated us all. 

 Nina: “The many good feedbacks about Leit & Held and our project, our vision and our courage have definitely motivated me the most. And of course it was a great honour for me to be interviewed by the biggest magazine in the leather industry, ILM ;-).”

Founders of Leit & Held
Leather wallets on a marble tableThe lovely home studio of Leit & Held

What are your big future goals?

Pia: “Creating more supply chains for beautiful products from other natural materials (like linen, wool etc). Collaboration: We want other brands, especially bigger labels to use our materials to change something in the fashion industry. Inspire a more mindful consumption”

Dana: “We plan to make collections with other natural materials that are available in our region. The goal is to manufacture products from it in Germany or Europe.”

Nina: “We would like to make our supply chain and our knowledge available to others and I would be very happy to be able to implement many co-operations in the future. Leather can be used not only to make bags and accessories, but also furniture and other interior objects, shoes, clothing, toys and much more.”

Leit & Held co-founder Pia Held

What does sustainability mean to you as founders and how do you bring it into your business practice?

Pia: “Longevity. Creating goods that last forever (quality-wise but also because of their simplicity) so that people give it to their children and grandchildren one day. Reflection and awareness for our next generations and our planet, contributing to it. Finding moderation. Finding your own center.”

Dana: “In every decision we make about what is more responsible to our world. For example, we decided not to use magnetic buttons on the backpack, but instead we used snap fasteners. They last longer and are produced in a more environmentally friendly way. Sometimes this topic is annoying because all decisions are made more slowly, but when you look back you are proud to have made a lot of good decisions.”

Nina: “Thoroughly examining every step of a supply chain and making the best possible decisions in terms of a solution that is as natural as possible but also durable. Unfortunately, it wasn’t the cotton thread that won the race, but a mixture of cotton and polyester, as this thread simply lasts the longest. The footprint may be slightly higher immediately after production, but when you look at the lifespan of our products, it is much lower.”

Livingroom at dawnLeit & Held co-founder Pia HeldLeit & Held home studio

In what way does it make running a business harder and where can the industry improve?

Pia: “It’s challenging to combine our design standards with our expectations on sustainability. Also, people are so used to always have access to all products, in big amounts, immediately. We forgot how to be patient, slow down and wait for goods to be manufactured. It’s important to create awareness for prices and costs for something you can carry your whole life with you.”

Dana: “For us, good design is as important as sustainability. These two components may contradict each other and then decisions are not easy and therefore take more time. ”

Nina: “I do a lot of research and I can’t let myself be influenced too much by trends. The whole fashion industry still has a lot to learn.

At the moment many brands are focused on imitation leather under the term ‘vegan’, which is always associated with oil. In my opinion, that is not sustainable.

But I do understand this behaviour, because it’s mostly out of ignorance. To support this with my know-how is a great pleasure.”

Dana making prototypesDana making prototypes

Which businesses inspire you? Do you have industry leaders that you like to learn from or that inspire you?

Dana: “Kaffeeform from Berlin. They have a small team and are a great example for me in teamwork. Besides, they have managed to become successful all by themselves, without big investors or backers. I admire the founder for his energy and endurance. I see it every day as we sit in an office together.”

Nina: “I’m very inspired by my dear friend Dörte de Jesus from The Lissome. She manages in a wonderful way to show the beauty in sustainability and make it accessible. I am also very inspired by Claire Press, sustainability editor at Vogue Australia, who is very passionate about her work and delivers a lot of exciting content with her podcast ‘Wardrobe Crisis‘.”

Eye wear case prototype
Leather work toolboxA beautiful workroomA prototype glasses holder
Founders of Leit & Held

How can my readers support you?

Pia: If what were doing resonates with you, follow our journey through our Newsletter, Instagram or our Website.”

Dana: We’d be happy if readers understand our philosophy and tell others about Leit & Held .”

Nina: “By continuing to tell our story, carrying our honest attitude and by buying a product from us. :-)”

Text & Photography ©  Barbara Cilliers

Berlin Flower Market

Green Days Market

Berlin’s first Sunday flower market with live music and brunch

Early this month we saw the kick-off of our very first Berlin Flower Market and Sunday brunch hosted together with the non-profit Socracity, in the very heart of Berlin. The morning started fresh and early as we watched as Almost paradise, Golden! and Blumen Café turn the Prince Charles terrace into actual paradise. 

Green Days Sunday flower marketGolden! Flowers shop at Green DaysGreen Days Sunday flower market
Flower Market

With the beautiful backdrop of Molting House’s colourful bouquets, Nicholas Bamberger serenaded visitors with his piano melodies while passers-by marvelled at the beguiling specimens from Cultivation and Samaloyo’s sunflowers a golden feast-for-the-eyes in the early day sun.

Berlin Flower MarketFlowers from Cultivation at Green Days flower marketCultivation at Green Days
Green Days

Tiny gardens showed eager gardeners the tiny side of gardening while Grüneo made Berliners privy to the secrets of home-grown windowsill veggie growing. The neighbouring bar had early orders coming in for their delicious Bloody Mary’s–a welcome stand-in, since much to our horror, our coffee vendor failed to make an appearance. But if life gives you lemons, we say, make a Bloody Mary!

Flower Market BerlinFlowers from Almost Paradise at Green Days flower marketBerlin Flower Market
Flowers from Grüneo at Green Days flower market in BerlinFlower Market Berlin
Green Days Berlin

Next door Till Air Plants and Blossom brought an elegant flair to terrace number two, the beautiful dried and fresh flower bouquets looking splendid in the morning glow. Faradiso’s flowers and plants, huge vases and trees dazzled visitors heading indoors, but not before Boomki charmed them with their young and old Bonsai’s.  

Berlin Market

Inside we had yet another welcoming pick of flower market favourites. Lalovliy and Garden State Candle Studio’s dried flower arrangements livened up the indoor hall. Greenery Living’s container gardens looked extra crisp on this market day morning while the hanging plants from Mayaa Plants added another shade of green to the Prince Charles swimming pool.

Blossom at Green DaysBonsai trees at Green DaysGreen Days Berlin

But of course our flower market would not be complete without the beautiful craft and handmade products by SoapSoop, Brumadesign, Pinnu, Claire Wildenhues, l’île d’eau and Ozequi Saqui. Some of my favourite ceramicists were there too; Satokokako, Hmmmdsgn and Cou.Cou.–all with their delightfully unique pieces. 

Products from Green Living at Green Days BerlinGreen Days

BioBunnies brought sustainable bath products and Das Zauberkraut sustainable cleaning products. Love And Grow shared their essential oil wisdom while Natural Vibes ensured Berliners could show off their guilt-free footwear the next time they sport a sock-and-sandal ensemble. 

Brumandesign at Green Days Market
Green DaysBerlin MarketMayaa Plants at Green Days
Green Days Market
Green Days Berlin MarketGreen Days by Soonafternoon
Berlin flower market

Last but certainly not least, market guests could browse the myriad local fair fashion creations by the talented Berlin designers like Aurelia Paumelle,  I_am_kaya, Dominique Krauch and the entire team behind Aethic: Natascha Von Hirschhausen, Barz Design, Still Garments, Dzaino Studio Annamariaangelika and Biostoffe Berlin. 

Berlin flower Market
Flower Market Berlin

Thanks so much to everyone who made our first Berlin flower market so very special and to the lovely visitors who came to show their support! We had a blast and look forward to seeing everyone back there for the next Green Days event. Do subscribe to our newsletter if you’d like to stay in the loop.

Founders of Homemade Studio on the meaning of home and navigating a bootstrapped business

Founders of Homemade Studio on the meaning of home and navigating a bootstrapped business

Soonafternoon has always been an exploration of space. Those realms in which we find ourselves inspired to dream and driven to create–whether it’s nature; the home we were born into, or the dwellings that offer us the safety to express our identities. I was therefore so excited to sit down with the dreamers behind Homemade Studio; an airbnb-esque platform to book photo-shoot locations.

Founders Paris & Guia, both citizens of the world, have lived all the way from Rio to New York, London, Copenhagen and Melbourne before settling in Berlin. They shared with me the intricacies of a start-up, bringing dreams to life in a brand-new city and of course, the concept of home.

Homestory with Homemadestudio founders - SoonafternoonTerrace - Interview with Homemadestudio - Soonafternoon

How did you come up with the idea for Homemade Studio?

Paris: “For a personal project, I was in search of a location to showcase and shoot a collection of products. I didn’t want to use a standard photography studio, with white walls and a plain background but I rather envisioned a unique and authentic, yet affordable space. After not finding any convincing options, I came to the idea of using the home of a friend instead, picturing my products placed around the lovely living room which on its own already looked like a ‘ready-made set.’ And it was at this exact moment that the question popped into my mind: ‘with so many incredibly designed homes and private spaces throughout the city, could other creative professionals also benefit from having access to these locations for their photo shoots and films?’ I imagined an Airbnb for the creative community, specifically designed for production purposes. This was the lightbulb moment and the start of the Homemade Studio story!”

Was it difficult to get started with the business? What resources helped you get to where you are now?

Paris: “We bootstrapped our business from the very beginning, which naturally made things harder as we had to be very careful and savvy about where and how we spent. Our limited budget encouraged us to adopt the lean approach which pushed us to become more creative and hands on in all areas. Depending almost entirely on ourselves, we had to wear many hats and be extremely proactive in learning things that we did not previously know, but all of this ultimately allowed us to shape our business and give it our personal stamp which its now becoming known for!”

Guia: “As first-time founders, we were worried about being unable to navigate these uncertain waters but, once we decided to actually make a start we naturally split tasks and steadily made our way through our never-ending to-do lists! For the first year we worked from a startup incubator that helped us structure our working days while also allowing us to be part of a community of founders. Sharing our challenges and successes and listening to the failures and accomplishments of others, helped us make our way through the first unpredictable months.”

Homestory with Homemadestudio founders - Soonafternoon

What has been your biggest obstacles in the business, if any?

Paris: “Finding a balance between work and ‘time off.’ When we started, we were very excited about the idea of having a self-employed lifestyle and the freedom it allows. And it’s still true, we both really love it – but after working 24/7 for these first 18 months, we now also realise how important it is to listen to our limits and do our best, without pushing ourselves near to the breaking point. At times it can be very hard to find that balance and switching off is pretty difficult, especially because we love what we do, but it’s also absolutely necessary, for ourselves and in turn our business!” 

Guia: “One month after we launched our website I became a mother and I must admit that dealing with two very demanding babies was far more challenging than expected. For the first few months I found it very hard to keep up with the fast-pace of a start-up. This was probably the toughest moment for our business but also for our team as we had to completely revisit our schedules and working styles. We pride ourselves in having a very transparent and honest relationship that allows us to navigate through these hard times, finding the right compromises in order not to harm the business or our team harmony.”

Terrace - Homestory with Homemadestudio - Soonafternoon

“A home is your own piece of sanctuary and freedom – a place that is truly and uniquely, you!”

Paris & Guia

In all the cities I have lived, homes have played a big role in how people live and socialize. For instance, where I grew up, most people have homes with gardens and people tend to socialize at home. What do you think is different or special about homes in Berlin?

Guia: “Having lived in several different cities, I have always been fascinated by the role of homes in people’s lives and socializing habits. In Milan, for example, apartments tend to be very private, reserved for families and close friends. I was really impressed by the openness of Berliners to welcome total strangers in their homes. When we first started, without an established company or website and sending emails from our Gmail account, we reached out to a few beautiful homes to ask them to join our (yet to be built) platform. To our surprise, the response rate was great and we succeeded in recruiting 20 Home Studios before even founding our company! This feeling of trust, safety and community is one of the things that make us love Berlin so much!”

Homestory with Homemadestudio founders - SoonafternoonLiving room - Interview with Homemadestudio - Soonafternoon

Tell us about the most interesting place that you listed?

Paris: “I always feel a connection to and am fascinated by our Home Studios that have been creatively converted from unexpected spaces, such as former elementary schools or laundry, wool and chocolate factories – especially when some of their original features have been preserved. Berlin is full of these historically inspired places, each with an interesting story to tell and you can really feel it the moment you step inside. One of the quirkiest spaces we’ve listed was a bright yellow USA school bus which the owners had turned into a small nomadic home. Getting a ride, through a forest, on our way to a ‘camping style’ photo shoot last autumn is definitely one of my special highlights!”

Guia: “This is such a hard question, I love all our Home Studios! The one home tour I remember the most vividly is the one of “A Berlin Original”, a GDR space that we visited on a cold and rainy winter day. We had the pleasure of listening to the owners’ interesting stories while sipping homemade tea and delicious cookies next to the real Berlin style oven in action. A step back in time for a truly enchanting experience!”

Bright living room

A home in a way is like a canvas. A place where we can express ourselves and our creativity. What I love about your platform is that people get to share this creativity with others and benefit from it. Do you have something to add to this?

Paris: “I think you said it perfectly and this is one of the main reasons why we made the decision to focus on real-life spaces such as homes, rather than standard photo shoot studios. We really want to encourage local sharing and in turn authentic content by consciously making use of the plethora of incredible existing spaces that people have created – spaces that are otherwise unseen and inaccessible. Several owners told us that whilst they don’t feel comfortable with offering their homes for vacation rentals and having a stranger sleep in their intimate space, they feel a sense of pride in seeing their own personal home used for creative purposes whilst at the same time earning more by flexibly renting their space by the hour.”

Living roomLiving room

Have you noticed any style trends in the homes that you listed in Berlin?

Guia: “In our interview for Bellevue magazine the journalist referred to Homemade Studio as a “trend barometer” with booking statistics acting as indicators for the most successful interior styles. In our portfolio we have quite a few Scandinavian lofts, characterised by spacious interiors with a simple and chic décor. The charming candor of these Home Studios has also conquered the attention of creative producers!”

How would you describe your own personal styles at home? 

Paris: “I love the neutral colours of the Scandinavian home, coupled with the minimalism and elegance of the Japanese style: a beautiful hybrid that I’ve only quite recently come to know as ‘Japandi.’”

Guia: “An open plan loft with Scandinavian minimal décor combined with rustic brick walls and wooden beams, Scandi Penthouse (my home’s stage name on Homemade Studio) earnestly sums up my apartment’s style.”

Do you have any mantras that you live by that help you keep going?

Paris: ‘If you don’t go within, you go without.’ I came across this in a book in the mountains of Sri Lanka and it stuck with me. Finding inner peace and balance is essential and something I consciously strive for and practise.” 

Guia: “‘Per aspera ad astra’ (through hardships to the stars). My father engraved this quote on a watch he gifted me for my 18th birthday. Ever since, in the tough moments, I use it as a comforting reminder that hardship, accompanied by perseverance, eventually leads to success.”

Which story on Soonafternoon has resonated the most with you?

“We really love all of your interviews and the whole style of your blog – it’s truly beautiful! Having met the ladies of Grüneo, we were of course more personally connected to this interview as we have seen parts of their journey first hand, and we really admire their all ‘green’ concept!”

Follow their journey: Homemadestudio.com | @homemade_studio
Text & Photography ©  Barbara Cilliers

Out to forage

Things I learnt while foraging

A year ago in June, I met Siobhán O’Callaghan, founder of Primitivkollektiv, who’s since become a good friend of mine. Back then Siobhan gathered a group of plant enthusiasts, and together we took a trip to an abandoned castle. There, the air thick with the heat of summer, beetles and bugs abound, we set out to forage. I with my eyes, ears and camera. An eager student. My companions with their knowledge of edible plants, growing in the wild. Little did I realise then, the deep and lasting impression this sunny day would have on me.

Dhamsmuhlen SchlossForaging in BrandenburgDhamsmuhlen Schloss
Foraging in the countryside near Berlin

Moving amongst the trees, the search for sustenance steered our footfalls. As I learnt the names of the plants we collected, I was learning too, a new language. One of communion. Between myself and my environment. Deeper into the woodland I went. Deeper into a new way of being. A shift took place. A feeling that I did not know how to bring to words. But I could feel it take shape. And it was exhilarating.

Dhamsmuhlen SchlossForaging in the countryside near Berlin

How exciting, I thought, that my immediate landscape, could provide me with nearly instant nourishment. It seemed effortless and required little work. Nature, was simply providing. Like gifts to us without the need to till and work the land – something which I have come to learn has devastating effects on our soil anyway. 

BrandenburgCountryside near BerlinBrandenburg countryside
Countryside near Berlin

My misgiving of our current ways of doing things–like monocultures, agriculture, importing foodstuffs–grew stronger. I wondered then, whether our efforts towards domestication, in fact drove us away from our environments. As if trying to control it, taming it, bending it to our will, we changed ourselves more than we changed her. Banishing ourselves, once again, from the garden of Eden. Our mother. Our home. Into the devastating world of “progress”. The kingdom of the ego. Of strife. 

Our landscapes have become a resource for us to exploit. To take from, instead of the friendship it should to be; where both give and take with care and attention. A symbiotic relationship instead of the parasites we seem to have turned ourselves into. 

Dhamsmuhlen Schloss
Foraging in Berlin

I say these harsh words because foraging too, is now causing harm in places. Beautiful pristine environments are destroyed by newcomers who fail to listen to the earth. But perhaps you cannot directly blame people who have yet to learn the language of our mother. I know I haven’t. I’m trying now to do so. 

Foraging in the countryside near BerlinDhamsmuhlen SchlossDhamsmuhlen Schloss

But let’s go back to that pleasant afternoon amongst the trees. Picking plantain and nettles. Yes – the weeds we find in the nooks and crannies of our streets. Still, in our every attempt to cultivate our landscape, the earth finds ways to provide. Whether we want her to or not. Through the tarmac and mortar, coltsfoot and dandelion still show up. Tough and relentless. Jam packed with sustenance. Superfoods, right on our doorstep.

Foraging in BerlinForaging at Dhamsmuhlen Schloss
Brandenburg countryside

But off course, here in the forgotten world of schloss Dhamsmuhlen, they were bountiful. Happy and healthy companions, perhaps more so because the area is mostly abandoned. Plenty of space for elderberries and shepherds purse to run wild. 

I learnt that day out foraging, that if I could find a way to listen, mother earth would teach me things. Showing me how to take care of myself and in turn, of her. 

Text & Photography ©  Barbara Cilliers

Johannesburg guest house for birders and nature lovers

2Mokolo guest house in Johannesburg

My sister and I used to run a small design studio in South Africa. One of our first and favourite projects was to design the brand identity for a new guest house in Johannesburg, called 2 Mokolo. The project was for Sandra de Witt, the then Creative Development Officer at the Jupiter Drawing Room, and her husband Graham Hickson. Both nature lovers and avid birders, Sandy and Graham sought to create a refuge for visitors in search of a nature filled respite from the bustling surrounding city.

2Mokolo Bed & Breakfast 2Mokolo Bed & BreakfastInterior Photography by Soonafterstudio for 2Mokolo Bed & Breakfast
Interior Photography by Soonafterstudio for 2Mokolo Bed & Breakfast

On my most recent visit to SA, I stopped by to take some photos for the new website we’re working on. I always enjoy the visits to their house, which is situated in the tree-lined suburb of Morningside in Sandton and a stone’s throw away from the Outspan Bird Sanctuary.

With its natural canopy of wild olive and white stinkwood, the garden itself is home to an abundance of bird species and 100% indigenous flora, which makes it the perfect retreat for bird and nature lovers.

Interior Photography by Soonafterstudio for 2Mokolo Bed & BreakfastInterior Photography by Soonafterstudio for 2Mokolo Bed & Breakfast
Interior Photography by Soonafterstudio for 2Mokolo Bed & Breakfast

Through the years the bed and breakfast has evolved and now include an elegant 4-star guest house called Annex at 18. Each of the luxurious rooms have wooden decks where guests can relax in the sun among giant palm trees. Sandy and Graham designed clever louvred sliding screens that provide complete privacy while guests can still enjoy access to the surrounding garden.

Interior Photography by Soonafterstudio for 2Mokolo Bed & Breakfast
Interior Photography by Soonafterstudio for 2Mokolo Bed & BreakfastInterior Photography by Soonafterstudio for 2Mokolo Bed & BreakfastInterior Photography by Soonafterstudio for 2Mokolo Bed & Breakfast
Interior Photography by Soonafterstudio for 2Mokolo Bed & Breakfast

As a filmmaker, Graham’s love for story-telling is visible throughout the guest house. Quirky elements like repurposed tripods (now used as bedside lamps) and old tin cars and wooden toys, add to the inviting character of the interior. The couple’s love for birds and the African bush veld is also evident in the collector-like aesthetic, choice of fabrics and use of materials.

The rooms are vibrant and friendly. Each have a brightly painted barn-style sliding door that leads into a luxurious en-suite bathroom with beautiful bath and huge shower that open onto a private deck, adding an almost spa-like feel. My favourite is Annex III with its pewter bath and private outside shower.

Interior Photography by Soonafterstudio for 2Mokolo Bed & Breakfast
Interior Photography by Soonafterstudio for 2Mokolo Bed & BreakfastInterior Photography by Soonafterstudio for 2Mokolo Bed & Breakfast
Interior Photography by Soonafterstudio for 2Mokolo Bed & Breakfast
Interior Photography by Soonafterstudio for 2Mokolo Bed & BreakfastInterior Photography by Soonafterstudio for 2Mokolo Bed & BreakfastInterior Photography by Soonafterstudio for 2Mokolo Bed & Breakfast
Interior Photography by Soonafterstudio for 2Mokolo Bed & Breakfast

Sandy, who’s won numerous awards at Cannes, D&AD, One Show and the Loeries during her corporate career as Creative Director of TBWA South Africa, now runs 2 Mokolo with equal fervour. So it’s without surprise that the guest house has such an excellent traveller rating on Trip Advisor.

2 Mokolo is central Joburg’s first BirdLife SA accredited birder-friendly establishment, but it’s not just nature lovers and birds that are welcome here. The guest house has its own beehive too. So aside from Graham’s delicious home-made sourdough bread, kombucha and preserves, guests can enjoy honey from the resident bees.

2Mokolo Bed & Breakfast
2Mokolo Bed & BreakfastInterior Photography by Soonafterstudio for 2Mokolo Bed & Breakfast
Interior Photography by Soonafterstudio for 2Mokolo Bed & Breakfast
Interior Photography by Soonafterstudio for 2Mokolo Bed & BreakfastJohannesburg bed and breakfast 2MokoloBathroom details
The luxurious bathroom at 2Mokolo Bed & Breakfast
Interior Photography by Soonafterstudio for 2Mokolo Bed & Breakfast

Soon the beautiful 2Mokolo will have a brand-new website designed and built by yours truly. Until then, bookings can be made on 2mokolo.co.za.

If you’re in need of some beautiful photography and a modern functional website, we’re here to help. Have a look at our studio page to see all the ways that we can help your business communicate beautifully. We’re also always looking for nature-friendly businesses to feature on the blog. Yours might just be the perfect fit!

Text & Photography ©  Barbara Cilliers

Ecological countryside cabin

Countryside escape to an
ecological wooden cabin in Zempow

Just before the lock down, we headed out to the countryside for a week of solitude in a tiny German village a little outside of Berlin. We had found an ecological wooden cabin, and loved it so much we could have stayed a whole month. Sadly it was booked out for the next weeks, and we sourly returned to Berlin. Perhaps we’d be able to head back there in the summer.

Foggy morning in the german countrysideOuter details of wooden cabinClose-up of pine tree

The cabin is located in Zempow, a small village just under two hours from Berlin. A short walk from the studio takes you right into the forest with lots of trails to stroll along. The surrounding area is filled with woodlands and hilly pastures with many lakes to explore. The surrounding farms are all organic and in the tiny town there’s a lovely little bio shop where you can buy food from the nearby farm and region–perfect for a week-long hide out in the countryside.

Interior details of eco friendly wooden cabinEntrance of eco friendly wooden cabineco friendly wooden cabin

Designed by photographer Michael Reitz and designer Henrike Meyer, the house was built from natural and recyclable building materials like clay, hemp and wood with the help of architect and ecological construction pioneer, Arnold Dransfeld.

The design is minimalistic and elegant with huge triple glazed south facing doors and windows, offering beautiful views across the countryside while providing privacy from the road. There are no corridors and the slanted ceiling creates a large cavity, adding additional air and light to the open-plan living room and kitchen, making it feel quite lofty and spacious.

Eco wooden cabin in German countrysideWooden cabin in German countryside

The cabin has no concrete floor slab and no insulation in the floor but rather a limestone gravel foundation that allows the house to breathe downwards. Other than the wonderful aesthetic appeal, the clay walls regulate the humidity of the rooms.

The interior of the cabin was done by Henrike–who owns the Berlin based interior firm Meyer + Harre. It is elegant and understated with minimal but comfortable furnishings in muted colours that harmonizes nicely with the patina of the wood. I liked the natural tones and textures of the wicker chairs combined with woven baskets and linen curtains.

Even though it was cold and rainy for most of our stay, we really didn’t mind. Cosy and snug, we spent our mornings in front of the fireplace, with fresh afternoon walks in the countryside. One thing that caught my attention was the incredible amount of birds of prey we saw. Red Kites were hunting across the meadows and eagles were frequently circling the sky. I guess the area must have plentiful supply of food for them–a good sign in terms of the ecology of the area.

Interior photography of eco friendly wooden cabin in German countrysideInterior photography of eco friendly wooden cabin in German countrysideInterior details of countryside cabin in Germany

The bathroom and shower too, are entirely made from wood. It reminded me of a sauna, with lots of space–which I assume is to make it wheelchair accessible. I also really enjoyed the blue colour of the tiles combined with the plywood. The old teal stool and clever towel rail added a nice touch to the space. The bathroom has underfloor heating provided by the gravity based solar system that supplies the home with energy.

Bath towelInterior Photography of countryside cabin in GermanyPicture of a stool in a bathroom

The building has a small footprint, but is actually really spacious, with three bedrooms and space for up to 6 guests. On account of the weather we never got to use it, but there is a very nicely sized deck on the sunny side of the cabin. Perfect for family meals and barbecues in the summer. Thanks to the high ceilings, the space lends itself well as a photography studio and can be booked for both shoots and workshops. The fast internet made it really easy for us to get our work done in the morning before heading out to nature.

Eco friendly wooden cabin View of eco friendly wooden cabin

Some interesting facts I learnt about the area is that the town of Zempow had the only drive-in movie theatre in the DDR. It is still in operation, and close to the cabin.

The area falls inside the Naturpark Stechlin-Ruppiner Land with 180 lakes and forest covering almost two-thirds of its territory. Unsurprisingly the nature park has the highest density of breeding ospreys in Central Europe! It’s a type of raptor that can reach up to 60 cm and eat a diet consisting almost exclusively of fish. If the sky is home to so many species, I can only imagine what other creatures all hide in the underbrush :). It’s certainly a place worth going back to!

Rainy morning in the german woods

For bookings, you can visit their website Studio Zempow.

Text & Photography ©  Barbara Cilliers

Lessons from the long road

Wisdoms of an eight-year-old

At the youthful age of eight, I laced up my very first hiking boots. Four feet tall, a short bouncy bob, and a sleeping bag stuffed into the tiny backpack hugging my waist. Ready to traverse the rolling hills of Bochabello.

My parents introduced my twin sis and I to backpacking at an early age. This instilled in us a deep love and respect for nature, together with wisdoms imparted on one faced with the long road.

It is where I learned the power of words, the magic of the mind and the strength of unfailing belief. 

The Pilgrim's waySignage of the Camino de Santiago
Views of the Camino de Santiago

I’m sure you can imagine, grown-up distances gets far pretty quickly when your legs are the length of fore-arms. I remember one afternoon on a hike somewhere in the Blyde River Canyon, the hot sun beating down on my neck and shoulders. Tired, angry and close to tears I whined to my father. “How far still pappa?”. It must have been the fifth time I asked. My dad, who should’ve been at his wits end by then, calmly came to a halt and hunched beside us.

Modern day Pilgrims on the Camino de Santiago
Camino de Santiagothe Way of St. James

He told us if we were good, he would share with us a magic word. If we said it over and over, he explained, the word will give us power and the energy to go on, and we would forget about being tired altogether. This magic word was “laskenakke”. 

“Will it really work pappa?”, we implored.

“Only if you really, really believe it will” he replied. 

We walked on. Repeating laskenakke, loudly and in unison. Woah! We laughed as we imagined how the energy erupted inside us. Giddy, we skipped onward.

On the Way of St. JamesSights of The Way of St. James
The Way of St. JamesThe Way of St. JamesRoadside flowers

Laskenakke has stayed with me my entire life. It’s what I summoned halfway up Chapman’s peak on a bicycle or when the birds started chirping when I pulled an all-nighter to get a final year project completed. It’s what I keep in the pockets of my mind every day.

Even now when I am writing this, it’s a mental snack. Always at the ready. Like the time we embarked on a leg of the Camino de Santiago–exactly two years ago–when at times, the 120 kilometres of road ahead, seemed a tad bit daunting.

Pilgrimage of Compostela
Pilgrimage of CompostelaPilgrimage of CompostelaPilgrimage of Compostela

Also known as the Pilgramage of Compostella or the Way of St James, the Camino is a network of walkways. These “pilgrim’s pathways”, lead to the shrine of the apostle of Saint James The Great, who’s remains is said to be buried in the cathedral of Santiago de Compostela in Galicia, northwestern Spain. This road (or series there-of) is walked by many, as a path of spiritual growth, to find salvation or as a way to deal with hardship. It’s considered a spiritual passage. A journey with the self. 

Pilgrimage of Compostela
Pilgrimage of CompostelaPilgrimage of CompostelaPilgrimage of Compostela

In so many ways, life at the moment, is like this road to Santiago. A mental journey. One we are all on right now. An internal struggle and dialogue with the self. The ups and downs that come with the uncertainty of what the future holds and all the grim headlines plastered everywhere. The fear of the unknown, of disease and of the poverty or the hardship it is said to bring. It may seem like a terrible mountain. And we the anxious eight-year-olds struggling and frightened. 

Santiago de Compostela
Santiago de CompostelaSantiago de CompostelaSantiago de Compostela

And yes. This “walk of life” thing, will at times be tough as nails. 

And so, we can choose to sit on a rock and wait for darkness to descend. Because if we do it will. Or we can choose to believe in the power of laskenakke. The power of a positive mind. To keep going, even when it’s hard and the road seemingly endless. 

We can choose to believe that at the end there will be a warm place waiting for us. A bucket of water to wash our feet in. A can of sweet, sweet soda to quench our thirst. Cause if we believe it, there will be. But we need to keep on walking.

This is the power of believing in the positive. The magic of laskenakke. 

Text & Photography ©  Barbara Cilliers

Add some colour to your interior with the nyctinastic prayer plant

Maranta leuconeura var. erythroneura

Full marks if you can get the name right in one go! This Brazillian beauty is native to the deep shady areas of the rainforest–which is exactly what gives this spectacular plant her incredible features. A colourful friend for any interior.

The varietal name erythoneura refers to the Latin erythroneurus which means red veined. Indeed, the leaves have beautiful bright magenta veins that arch across the top side of the leaf towards the leaf tip–the reason why some call her The Herringbone Plant. 

Plant Photography of Maranta leuconeuraHigh quality photography of Maranta leuconeuraMaranta leuconeura

The under, or for nerds like myself abaxial side of the leaves, are a beautiful shade of burgundy. This reddish-maroony pigmentation, is called Anthocyanin, a phenomenon often occurring in plants with habitats in limited light or dark, shaded areas like rainforests. It’s a pretty awesome trick that allows the leaves to catch and absorb reflected light, since they usually don’t get so much sun from above. 

Beautiful colourful underside of leavesPhotography of Maranta leuconeura

Apart from its intricate design, the Maranta has a ton of character. During the day, she appears to be silently sleeping. Her leaves lie flat and downward. Come evening however, her foliage folds nearly 90 degrees upward as her diurnal rhythm (daily circadian rhythm) bids her to react to the change in light. This behavior is called nyctinasty, and it is why she is nicknamed The prayer plant. I love it cause it really reminds me that plants are alive, and have habits just like we do.

Maranta leuconeuraHigh quality plant photography of Maranta plant

Maybe you’d also like to know that the Genus was named in honor of the Venetian physician and botanist, Bartolomeo Maranta, who helped found a botanical garden in Rome.  Let’s now take a look at her care instructions shall we?

Maranta leuconeura on a pink background

Caring for your Maranta

Names: Prayer Plant, Herringbone Plant, Maranta Tricolor

Family: Marantaceae, native to Brazil

Light: Any interior setting with indirect sunlight. Her colours will fade if she gets too much sun (remember the Anthocyanin from earlier). If there is too little sunlight, her leaves may not open properly. Watch her behavior. She’ll tell you what she needs.

Water: Water often, with purified water at room temperature (she’s sensitive to fluoride). She likes a moist humid environment–think tropical rainforest–and will roll up her leaves when she wants a drink-apparently. 

Soil: Moist, well draining and never soggy

Toxicity: Non-toxic to cats & dogs

Propagation: Quite easily by cutting just below the leave node and sticking it in some water, much like the Ficus or Pothos

Picture of Maranta leuconeuraHigh quality photographs of plantsMaranta leuconeura var. erythroneura – a colorful plant for any interior
Text & Photography ©  Barbara Cilliers

The round house

The round house

When I was little, my mom used to drive us to Rietondale for icy early morning hockey tournaments. Often, I’d ask her to take the steep drive up Eastwood, so we could pass by the round house on top of the hill. Every time, I marvelled at the unique architecture, and busied my mind with thoughts of the interesting people whom I was certain must live there. For one must surely be curious to live in such an unusual home.

The round house living roomThe round house in Pretoria
The round house in ArcadiaThe round house in ArcadiaThe round house in Arcadia

Many years later I drove with a friend up that very hill, on our way to visit her mum. And to my surprise and utmost delight, we stopped at the round house. My friend had grown up there. This was their house. Going inside, I felt like I’d received a gift. For not only was I able to explore a place of childhood fantasy, but my reveries of a marvellous interior, had been largely correct. This house was indeed extraordinary.

The Le Corbusier inspired “Round House”, was designed by German architect May von Langenau, for my friend’s late father and her artist mother, Margaret Nel. An exemplar of the so-called International Style of architecture, the house is noted for its spherical shape (quite a novelty at the time of construction in 1961) as well as the structure. Hoisted off the ground by supporting pilotis, the terrain extends under the house in true Le Corbusier fashion. With a radial layout instead of load bearing walls, the space provides spectacular views of the surrounding Magalies mountains.

But if the view or the structure does not amaze you, the interior will. Nel has done an incredible job at curating the space. Every detail has been carefully thought out, every piece telling its story. Old iron hospital beds, -trollies and -lockers add to an industrial theme that feels surprisingly warm and modern thanks to accompanying second-hand, mid-century pieces sourced at great length by Margaret.

An interesting dialogue between the decor and artwork is evident throughout the interior. Among the works of esteemed artists like Claudette Schreuder and Diane Victor, peculiar artefacts like plastic dolls and dinasours, wooden sculptures and vintage mannequins, transform the house into an artwork itself.

The round house in Arcadia
The round house in ArcadiaThe round house in Arcadia

The clever displays feel like a running commentary of artistic expression. It’s at the same time sensitive and quirky; a dualism of sorts, between a bright and colourful South African vernacular, and a muted European design sensibility. Nel’s own work is on display as well. Pieces from her “Best Before” series (oversized life-like renderings of meat and confectionary wrapped in plastic and styrofoam) continues the dualistic notions, in this instance, of preservation and decay. 

The round house in Arcadia

The house itself feels, as it were, like a juxtaposition. It’s at once classic and modern, off-beat and stylish. And so in answer to my childhood daydreams, the round house is undoubtedly eccentric. An elegant expression of Margaret Nel’s keen design sensibility, her prowess as an artist and her fine sense of humour. Check out the piece on minimalism to see the Anex to the house.

Text & Photography ©  Barbara Cilliers

Ficus Benjamina

The Weeping Fig

With the cheerless winter lingering on, we’ve been enjoying the company of our leafy friends at home and so the choice for this week’s houseplant post was as much inspired by it’s personality as by its name.

The Weeping Fig is a handsome character; it’s downward drooping branches and glossy pointed leaves giving it a moody charm. And with the whole of Berlin still gloomy and grey, the weeping fig is both a splash of happy greenery as well as a reminder of the melancholy of winter.

Ficus_PhotographyFicus_Photography

The Benjamina (as it’s scientifically called) is part of the ficus genus and a popular choice for a houseplant, due to its relative ease in care. The reason I call it moody is because this beautiful tree can be quite temperamental. The weeping fig is rather intolerable of disturbances, and will quickly shed all of its leaves if you dare to move it. A protesting tree can look rather bare and dull, as if winter has found its way indoors.

Ficus_PhotographyFicus_Photography

Weeping figs enjoy bright areas with a bit of sun and shade, so a spot near a west or east facing window should provide a good setting. Once in it’s place, let the ficus settle, and only move it if you have to. Benjamina’s are sensitive to colds and drafts so best not place it in areas with fluctuating temperatures. Make sure your pot drains quickly and well. The ficus dislikes soggy soil so be sure to water it less often during the colder months.

Ficus_PhotographyFicus_Photography

Benjamina’s are great company as long as you don’t expect them to move around very often. They will silently grow without any bother, and will look great doing so throughout the year.

Names: Weeping Fig, Benjamin Fig or Ficus tree

Family: Moraceae, native to Asia and Australia

Water: Moderate watering in Summer, less during Winter

Leaves dropping from over-watering: Fallen leaves fold easy

Leaves dropping from under watering: Fallen leaves are crispy

Soil: Fast draining soil mix

Prune: After Summer and before Spring

Toxicity: Mildly toxic to cats & dogs

Propagation: During Summer months by placing branch-cuttings into soil

Ficus_Photography
Text & Photography ©  Barbara Cilliers
Caring for your Ficus Benjamina

The world’s richest succulent biome

Succulent Karoo: The most abundant biome of succulents in the world

During the month of December I had the good fortune of making a trip with my family from Namibia all the way down to South Africa’s Western Cape. We had the opportunity to visit really remote places, living without the normal comforts like running water or electricity and to reconnect with nature.

Semi desert eco region of the Nama Karoo Image Copyright SoonafternoonSucculent-Karoo-Image-Copyright-Soonafternoon-07

In the course of this trip we travelled through the Namaqua National Park, a unique landscape where–from a distance–not much appear to be happening. Running down the Western coast against the Atlantic ocean, the area looks like plain sandy plains. As far as the eye can see it appears to be covered in low growing–rather dull looking–bushes.  

Namaqua National Park Image Copyright Soonafternoon
Weird and wonderful flora of the Succulent Karoo Image Copyright SoonafternoonSucculent Karoo Image Copyright Soonafternoon 05

But once you are inside the landscape and you start to pay attention to the details, the scenery reveals to you its treasures. You notice that the dark blackish bush, hides within it hues of purple. And indeed upon even closer inspection, these explode into a myriad of other colours still; like puffy red-fingers waiving at you from the earth.

Weird and wonderful plants of the Namaqua National Park Image Copyright Soonafternoon
Wonderful flora of the Namaqua National Park Image Copyright SoonafternoonThe Namaqua National Park Image Copyright Soonafternoon

This magical landscape is called the Succulent Karoo. It is magical first and foremost, because it is such a sneaky chameleon. Hiding behind a mirage of grey and brown, you can find around 3000 succulents–a third of all the species in the world! And when you are lucky enough to visit during the spring, the landscape transforms itself into a tapestry of colour with flowers abound. 

Strange flora of the the Namaqua National Park Image Copyright Soonafternoon
The beautiful Namaqua National Park Image Copyright SoonafternoonInteresting plants

40% of the plants here are endemic and found nowhere else on the planet. The plants have adapted to this area, a semidesert ecoregion, by storing water in their roots and swollen leaves. One species, called the Mesembryanthemum crystallinum–also known as crystal ice plants–look like they’re made up of tiny bubbles of water! Others surprise you with bright papery petals or puffs of teal.

Succulent Karoo Image Copyright Soonafternoon
Funny plants of the semidesert ecoregion of the Namaqua National Park Image Copyright SoonafternoonWeird and wonderful flora of the Succulent Karoo Image Copyright Soonafternoon

Careful not to impose on the delicate ecosystem, I kept to the footpaths provided. In my imagination though, I could wander deep into the thicket, curious about all the wonders I have yet to see.   

Beautiful succulents of the Succulent Karoo Image Copyright Soonafternoon
Text & Photography ©  Barbara Cilliers

My home

Amara Blog Awards: A new year and new fuel for creativity

If you are following me on instagram or signed up to the newsletter you’ll be well aware that I won the Amara Blog Awards in 2019. It is a wonderful achievement, one that I am very proud of. But it has also been a bittersweet victory… 

Interior PhotographyInterior Photography
Interior Photography

After making it to the finals the year before, I was spurred on to push for a win in 2019. I poured myself into my blog, working hours and hours. And I was really having a lot of fun with it.

Then came the burnout. By the end of the year I had very little energy and almost no motivation to keep the blog going. I learned that I had made it to the finals again, but I lacked the energy to apply for a visa to go to the Award night in London. Honestly, I did not believe I would win. So why bother…

Interior Photography

The morning after the ceremony, I discovered that I had been a winner. But instead of feeling happy I was overcome by heartache.

It saddened me to think that I had put in all the effort to win–so much so that I burned myself out–and then simply gave up on my goals. It felt like I had run a marathon, and gave up ten steps before the finish line. I was crushed. And I was ashamed of the fact that I abandoned the girl who hustled during the whole of 2019. She deserved better. I owed her more respect.   

Lifestyle Blog
Lifestyle Blog PhotographyLifestyle Blog Photography

My sister suggested that I find remedy in writing about it. So I opened up on instagram and was overwhelmed by all the heartwarming messages I received. My honesty and openness seemed to resonate with my tribe. And I was truly humbled and grateful for it.

So this year I’d like to be more honest and open. To perhaps share more of the troubles that go with the triumphs and to invite you to discover more about me. 

Lifestyle Blog Photography
Lifestyle Blog PhotographyInterior Photography
Beautiful blue living room

Since most of my stories are with other founders and the spaces from which they hustle, I thought it would be nice to invite you into my own home for a change. To share with you the space where my own magic and mishaps happen. Where sometimes, the sun shines just right. And where–when all I can see is the wintry grey of the Berlin horizon–I find comfort and solace in the beauty of my space and company of my plants. 

Soonafternoon home-story

Here is to a beauty filled and inspiring 2020. I am so excited to share all my discoveries with you.  Remember to sign up to the newsletter and to follow me on Instagram so you can follow along the journey.

Green Days Berlin Flower Market x Sunday Brunch

Green Days Berlin | 06.09
Flowers x Brunch

On 6 September 2020 we’ll be hosting Berlin’s very first Flower Market & Sunday Brunch

Think Sunday brunch, a forest of plants, local designer goods and the soundtrack of live piano music and DJs in one of Berlin’s coolest locations.

Together with the non-profit organization Socracity, Green Days brings together local communities, plant & flower shops, hand-made designers, makers and musicians to foster greener ways of consuming while supporting local communities. It’s the perfect mix of Sunday vibes and set to become your next favourite Sunday hangout.

Event Details

Date: 06.09.2020

Time: 11:00 – 19:00

Location: Prince Charles, Prinzenstraße 85f, 10969 Berlin

Entry: €2

Participants

Golden! Blumen und wohnen
Farodiso
Almost Paradise
Cultivation
BlossomByHausKlinik
MayaaPlants
Molting house
Blumencafé
Lalovliy
Blumen Samanyolu
Grüneo
Greenery Living
Till Air Plant
Tiny gardens & Plantaria

Brumanddesign
Garden State Candles
Satokokako
Irinamakesceramics
Hmmmdsgn
Cou.Cou.
Claire Wildenhues
l’île d’eau
Ozequi Saqui
SoapSoop
Biobunnies
LoveAndGrow
Das Zauberkraut

Dominique Krauch
Becicle
Aurelia Paumelle
I_am_kaya
Aethic
Naturalvibes

Partners

Follow & Share

Facebook

Facebook Event

Instagram

Download media pack

Price CharlesGreen Days Berlin Flower Market BannerGreen Days Berlin Flower Market

Become a partner

If you think your brand could benefit by partnering with us, we’d love to hear from you! Send us a mail to hello@soonafternoon.com

Want to participate?

If you’d like to book a stand at the event, you can find more details regarding booking and pricing here: Event Details

An offline journey to Richtersveld

Where earth meets sky
An offline journey to the Richtersveld Park

The Richtersveld Transfrontier Park, is a tricky place to get to. The roads are tough, with deep sand and rocky ascends. Steep climbs wind between mountainous landscapes of volcanic rock–some an estimated 2000 million years old. It’s a place of dirt and rock and dust. And of breathtaking beauty.

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01 Landscape Photography Richtersfeld Copyright Soonafternoon

Situated in the north-western corner of South Africa’s Northern Cape Province, the landscape seems desolate. Temperatures can reach well into 50° and water is scarce.  Life here depends on sporadic winter rainfall and moisture from the “Malmokkies”–the local name for the early morning fog and life-giving mists from the ocean. 

Listed as a UNESCO World Heritage Site, the park is home to the Nama people–the last survivors of the indigenous Khoikhoi or San people still practicing a traditional way of life. With their existence intrinsically connected to the environment, the nomadic locals manage to make a home for themselves and their livestock in an area bereft of common comforts. Together with South African National Parks, they are the keepers of the park.

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In the heart of the park lies Kokerboom Kloof. A plateau between giant boulders with views across the valley that seem to go on for days. When the sun has put its rays to bed and pulled night across the sky, the heavens come alive with stars. Allowing you to dip your imagination into the colourful milky-way and dream of Shamans reading stories in the wind and dancing in the shadows if the spirits. 

With life prevailing against the odds it’s easy to be present here. The vastness of the surrounding nature overshadows your existence–the immensity of the universe at the same time louder and more silent than one’s thoughts.

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03 Travel Photography Richtersfeld Copyright SoonafternoonRichtersfeld Copyright Soonafternoon 03

The name Kokerboom Kloof (Quiver tree valley) is derived from the vast amount of quiver trees dotting the landscape–an endemic species of endangered tree aloe (Aloidendron) such as the critically endangered Aloidendron pillansii (Bastard Quiver tree) and the Aloidendron dichotomum (Quiver tree or Kokerboom).

Due to their slow growing nature and difficulty to cultivate elsewhere the trees are extremely rare. The indigenous San people who called it “choje”, used to hollow out the tubular branches to make quivers for their hunting arrows, resulting in its English name. 

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Richtersfeld Copyright Soonafternoon 04Photography Copyright Soonafternoon 01

More than 4000 plant species (nearly half of them endemic) have been recorded in the Richtersfeld. The biosphere is a transitional zone between the coastal Succulent Karoo ecoregion and the drier Nama Karoo and is said to be the only arid biodiversity hotspot on earth, providing a habitat to specimens found nowhere else on the planet.

Photography Copyright Soonafternoon 02

Other than ablutions, the park does not offer amenities. Visitors must be well-equipped, with enough provisions of food, water, basic medical supplies, fuel and spare tyres.

The Richtersveld is where you go, to disconnect from the hustle and bustle of the man made world. To rely solely on what nature provides and to find comfort in the discomforts of living simply.

Images from this post are now available for purchase

Text & Photography ©  Barbara Cilliers

Advice from 5 female founders I met last year

Five tips to invigourate your creative endeavour in 2020

With 2020 already well on its way I had a look at some words of wisdom I picked up during the course of last year. Here’s a roundup of my favourite pieces of advice from founders I interviewed in 2019 to inspire you to keep(or start) hustling in 2020.

1. If you could  give yourself some advice in your twenties – what would it be?

“Take the risk: failure often isn’t failure, but regret is real.”

horticure founder Deborah Choi

2. Words of wisdom or mantras you live by? 

“Don’t be afraid of what might happen. Everything that happens will make you grow. Sooner or later every experience makes sense somehow. Even negative phases in your life will turn out as the most positive growing after time.”

Line Casselman, founder of Studio Mosbech

3. Building a business has its challenges and even though it’s highly rewarding, it’s not always easy. How do you stay positive and motivated?

 “One thing is probably just to trust that it will work. It’s something you own, even if it doesn’t work out, it’s a mistake you made for yourself and not for others.

Dr. Barbara,  co-founder of OBA studios

4. Words of advice for someone who’d like to pursue their own creative endeavour?

“Keep the faith and keep making. No one can do it the way that you do, so be inspired by other artists, but don’t copy. Be prepared to work hard, at both your creative output and building your business.”

Artist and urban landscape painter, Jenny Parsons

5. One piece of advice you could give to someone who’d like to be their own boss:

“It’s all going to be alright, as long as you are able to adjust to the changes. Sometimes it’s harder to think about it than to do it. And besides, you can never know everything in advance, so you just might get started.”

Kristin Hallson, founder of Blossom